Until now those controlling Pro Tools who are unable to justify the luxurious glow of Eucon have found themselves in a world inhabited by coarse faders, track names such as ‘Drms’ and ‘Ldvx’, and little hope of meaningful audio plugin control. Mulligan aims to scratch that itch using the ancient control protocol that refuses to die: Good old MIDI.

To read the full review and watch Luke’s walkthrough video, visit the Pro Tools Expert site.